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Arts debate
Perceptions and impact
In 2006 and 2007 Arts Council England ran a large inquiry that it called ‘the arts debate’, including research and consultative processes aimed at finding out what people value most about the arts and what principles they think should guide publicly funded arts organisations. RAND Europe was commissioned by Arts Council England to gather and summarise qualitative feedback about perceptions of the impact and processes of the arts debate thus far, from a group of prominent individuals whom the Arts Council regarded as thoughtful, knowledgeable, and belonging to key stakeholder groups. This short report is based on interviews that RAND Europe conducted with eleven arts debate participants and Arts Council stakeholders in January 2008. The two main messages that emerged from the interviews were that: (i) interviewees felt positive about the process of the arts debate. They would like to see some form of dialogue continue, involving the Arts Council, its direct constituents (individual artists and arts organisations) and, if possible, representatives of the general public. They felt that the Arts Council had not been specific enough about how it would go about achieving the goals it had set itself. (ii) There was scepticism about whether the Arts Council would change any of its processes or its decisions based on the findings of the debate. Other key challenges for the Arts Council to consider, which some interviewees raised, include: (iii) the unresolved dichotomy between excellence and access, and the implications of placing greater focus on the quality of experience of those who use or consume the art; and (iv) the call to include artists in setting the agenda, but without becoming too swayed by their self-interest.
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Contents
Chapter One:
Introduction
Chapter Two:
Methods
Chapter Three:
Themes and issues
Appendix A:
Interviewees
Appendix B:
Question to interviewees
The research described in this report was commissioned by Arts Council England and was conducted by RAND Europe.
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